Services — what we make, how we make it.
What we do.
Eleven crafts, one studio. Most projects start with a film and pull in what the story needs: stills, sound, a site, the ad buys behind it.
01 — Brand films
Films that define how a brand sounds, looks, and feels.
The flagship piece. A film about what your company is for, made to be watched on purpose instead of skipped. Most projects start here: one director, a real story, and a finish that holds up next to anything on your feed. Shot in Orange County, or wherever the story is.
- 01/Creative direction & script
- 02/Casting & location scouting
- 03/Full production: DP, sound, lighting
- 04/Post: edit, color, mix, delivery
02 — Campaigns
One concept carried across film, photo, and cutdowns.
We plan the shoot so a single production day feeds a season of content, and every piece still looks like it came from the same studio. Hero film, verticals, stills, and the page they land on.
- 01/Hero film + cutdowns
- 02/Stills & key art
- 03/Vertical & social edits
- 04/Campaign landing page
03 — Photography
Stills from the same eye that directs the films.
Campaign sets, portraits, product, and the library your team pulls from all year. Shot alongside the film or as its own day, graded to match everything else we make for you.
- 01/Campaign & set stills
- 02/Portraits
- 03/Product
- 04/The year-round library
04 — Editing
The craft the studio is built around.
We cut each piece until it earns its length. A template never decides that. Bring us your footage or let us shoot it. The edit is where the story actually gets made.
- 01/Narrative & campaign edits
- 02/Cutdowns & verticals
- 03/Edits from footage you already have
- 04/Finishing & delivery
05 — Color
Graded in-house, warm and filmic.
The look holds from the hero film down to the vertical cutdowns. We grade our own work and footage from outside productions.
- 01/In-house grading
- 02/Look development
- 03/Grades for outside productions
- 04/One look across every cut
06 — Sound
Recorded right on the day, mixed right in the edit.
On-set recording, post-production mix, and sound coordination for live events. If it sounds cheap, it reads cheap.
- 01/On-set recording
- 02/Post-production mix & sound design
- 03/Live event sound coordination
- 04/Final mix & delivery
07 — Animation
For when live action isn't the right tool.
Titles, motion graphics, and animated pieces. Same restraint, same palette as the films.
- 01/Title design
- 02/Motion graphics
- 03/Animated brand pieces
- 04/Logo animation
08 — Design & art direction
The visual identity around the work.
Titles, type, decks, and the art direction that keeps a campaign looking like one thing instead of five.
- 01/Art direction
- 02/Type & title design
- 03/Decks & print
- 04/Campaign visual systems
09 — Creative websites
Websites built like the films: slow, intentional, made to outlast the rebrand.
We design and build the site the work lives on. Fast, considered, and written like a person made it. If the film sends people somewhere, that somewhere should hold up.
- 01/Art direction & UX
- 02/Custom front-end build
- 03/Motion & interaction design
- 04/CMS or static delivery
10 — Creative engineering
The technical side of creative.
Custom tools, interactive pieces, and the systems that make good content repeatable without making it generic.
- 01/Custom production tools
- 02/Interactive pieces
- 03/Repeatable content systems
- 04/Web apps & integrations
11 — Marketing & ad distribution
A plan for where the work goes and who sees it.
Channels, calendar, the copy that carries it, and the ad buys behind it: Meta, Google, and YouTube, with reporting that tells you what worked. The same studio that made the film manages the money behind it.
- 01/Channel & calendar planning
- 02/Ad buys on Meta, Google & YouTube
- 03/Copy & creative refreshes
- 04/Reporting on what worked
